Shaping Sound | The Long Center for the Performing Arts

Travis Wall’s SHAPING SOUND Returns to Austin with an all new show ‘After the Curtain’

It’s no secret that SHAPING SOUND is America’s hottest dance company. And we can’t wait to have all those moves back on our stage, June 10th.

Originally established in LA in 2012, Travis Wall and partners Nick Lazzarini, Teddy Forance & Kyle Robinson led an outstanding company of dancers with a focus on contemporary dance and choreographic artistry. A 2015 Emmy Award win for Outstanding Choreography later (and six Emmy nominations), Travis Wall and his SHAPING SOUND crew are resisting gravity and blowing minds with their smooth, fresh movement.

Impacting audiences with their signature fusion of jazz, modern and hip-hop choreography, these are diverse artists who describe themselves as ‘visual musicians.’ All The Right Moves, an Oxygen reality series, brought Wall and his three partners into public awareness. Since then, SHAPING SOUND has been featured in anything and everything, including So You Think You Can DanceDancing With The StarsGlee and The 2013 Prime Time Emmy Awards. They were featured in Carrie Underwood’s Grammy Award-winning music video Something In The Water and are frequent guest on The Ellen Show—check out the videos below to get hooked.

After the Curtain, SHAPING SOUNND’s new show, tells the story of a man fighting to find his creative voice after the death of his one true love. Heart-wrenching, breath-taking and ultimately uplifting, this is one dance show that you’ll remember forever. Plus, Travis will be dancing in the show throughout the tour!

Onsale February 10th at 10am, get your tickets for this dance event early because they will sell out, and we’ll see you right back here June 10th.

Shaping Sound as seen on The Ellen Show.

Shaping Sound as seen in Carrie Underwood’s music video Something In The Water.

Pick up some smooth moves with us June 10th as we watch this ground-breaking dance crew defy gravity on stage. Photo Credit: Matthew Murphy. 

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