Before they come through Austin, read a sneak preview of the culturally rich and artistically diverse Spirit of India! DigitalJournal.com recently sat down to discuss the awe-inspiring costume changes, unforgettable dance numbers, and breathtaking dynamic of the Bollywood Masala Orchestra and Dancers.
Many people witnessing a performance by the Bollywood Masala Orchestra and Dancers on a current North American tour will never visit India. No matter. For a couple of hours, audiences will feel like they’re on the South Asian sub-continent.
Masterminded by band leader Rahis Bharti, a spell was cast from the opening solo by Amrit Hussain, the group’s other tabla player.
The first of many ovations from the crowd was loud and sincere.
What followed was a boisterous, colourful, joyful affirmation of Indian culture, specifically the cultural heritage of the northwest Indian state of Rajasthan, where Bharti was born and raised as part of the seventh generation of a musical family.
The evening’s focus was on a type of fusion music in which Bharti melds traditional Indian sounds with a marching band, complete with a four-piece brass section.
The orchestra’s timing was uncanny throughout and a testament to their talent and teamwork as they tour throughout the world. The troupe recently completed a 10-date European swing before opening a campaign on Canada’s west coast that will keep them in North America through November.
Bollywood Masala, whose sound is heavy on percussion and brass, is introducing North Americans familiar with sitars and tablas to lesser-known Indian instruments.
They include the khartal, a hand-held percussion instrument; the dholak, a two-headed drum; and a shruti box, a fascinating instrument capable of sounding like a harmonium or producing the sitar-like drone associated with Indian music.
The audience was treated to female dancers twice before intermission with different brilliantly coloured garments for each dance.
If anything, the second half was more engaging than the first.
Besides the dancers returning in yet a third costume change, the 17th troupe member made a memorable appearance.
A handsome, young Dhoad gypsy from Rajasthan impressed the crowd by dancing while balancing a large pot on his head with as many as four drinking glasses in between. Hiking the degree of difficulty, he did it while standing on three small swords, then a bed of nails.
Bharti and the troupe bade farewell to delighted standing audience members who left the theatre buzzing after a rich serving of Indian culture.