Ballet Folklorico De Mexico isn’t a typical ballet. It doesn’t look like ‘The Nutcracker’ and it definitely doesn’t look like ‘Black Swan.’ Now we love Tchaikovsky ballets as much as anyone, but the lack of resemblance is actually a good thing.
When dancer and choreographer Amalia Hernández founded Ballet Folklorico De Mexico in Mexico City back in 1962, she gave ballet a somewhat novel twist. As a classically trained dancer, Hernández knew all the things ballet was supposed to be – graceful, elegant, refined, and with just about as little in common with folk art as possible. She just didn’t care about what it was ‘supposed’ to be.
Hernández took the regional folk dances of Mexico and blended them with ballet. This kind of folk art infusion changed the classical music landscape through composers like Antonín Dvořák and Béla Bartók. And while Amalia Hernández might not have the worldwide recognition that Dvořák and Bartók have found, she’s no less of an innovator. Hernández and Ballet Folklorico pioneered the ‘baile folklórico‘ amalgam of Latin American folk dance and classical European dance.
Amalia Hernández’s Ballet Folklorico De Mexico combines the high art of ballet with the ethnic and regional folk dances of Mexico. The dances are often stylized – many of the choreographies are from Hernández herself – but they still retain some of the regional folk traditions that are disappearing from the modern world. But Ballet Folklorico De Mexico isn’t celebrating what their culture was, not who they as a people were; it isn’t a nostalgic nod to the past-tense but a celebration of who they are. A celebration of the idea that your roots are part of you and that ignoring those roots means ignoring a part of oneself.
And we’re looking forward to celebrating all of these things with them.
– Nick Curry, Development Intern
The Long Center
Ballet Folklorico De Mexico will be at the Long Center on October 23. Click here for more information and tickets.